For now if you want to avoid the crashes avoid soundlocking arps all over the place, that’s the only way I can get it to actually freeze.īesides the two bugs described above I found a third one. I have just send in a ticket to elektron documenting the bugs and some video examples so, lets see what they say. Hey, sorry for the late reply, been a bit preoccupied, but to answer your question: (And happy to hear brother, from where I’m standing that is the only way, whatever the subject)
Speech bug squish drivers#
Now I’m 95% sure you can’t do what you want with the class compliant usb drivers since that output is stereo and as far as I know there is no way of creating the separation that you’re looking for. The only limitation I see there is that you can’t apply the effects on top of the inputs on the master page of the DN, unless you apply none of the effects on the internal tracks that you send to the OT, because that would create a feedback loop for the effects.
Even though you dialed it down to 0 on the master page, the signal will still come through in overbridge as a separate channel that you can then record. That way the input signal coming from your OT into the DN won’t be audible through the main outs of the DN and therefore won’t create a feedback loop into the OT. Assuming I understand what you want to do: You can definitely do this with overbridge, I just checked that for you, just dial IN L and IN R to zero on the master page and record the input channel in your DAW.
Yeah I think I saw you wonder about something similar in a different topic. Which I get from a commercial perspective, but as someone that bought most of them its kinda jarring to have to setup a box twice the size next to it, just because of the commercial need to motivate others to buy into the same nuisance, while simultaneously losing some of the awesome tight sequencersound-engine coupling which made me want these things in the first place. The lack of the random arp&and transpose in key feel like blatant omissions to sell more machines. Yeah I can accept the kit per pattern coupling as a design choice, I don’t like/agree with it, but that one seems fair. Wouldn’t know what else to want from it… … random, the arp also definitely lacks random. If it hadn’t hard-coupled kits to patterns and if the arp&the transpose could be forced to play in scale, it would have been kinda perfect. Probably should have known better considering this is a forum filled with musicians (to be totally honest I might not have been entirely sober while I wrote that either)Īnd yes out of all the gear I acquired that year, I was definitely least gassy about the digitone, which turned out almost exactly the other way around once I got it.
Didn’t mean to downplay the pull/hold that that class of compounds can exert on a person. And even though opiates, also to my younger self’s surprise, never really had any substantial/meaningful pull on me since they never really did/fixed/relieved anything for me personally, not even in the temporary sense of the word, I do have a frame of reference for what you’re communicating. Yeah, It was indeed as you say a matter of speech.
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